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Plugged In

November 2009

Power to the People

Posted by Paul_Asay Nov 30, 2009
lambert.JPGWe tried.

 

We really tried to keep this blog an Adam Lambert-free zone in the wake of his American Music Awards appearance Nov. 22. But recently he said something perhaps as provocative as his awards performance.

 

For those who missed the fracas, Lambert—an openly gay singer and American Idol runner-up this season—unleashed a raunchy, S&M-tinged performance during the AMAs, which included a liplock with a male keyboardist and a simulated act of oral sex.

 

Well. Ever since, the entertainment media has been all Lambert, all the time: Was it planned? Did he go too far? Would the reaction have been different if Lambert were, say, Madonna?

 

Lots of Christian organizations have weighed in on the brouhaha, of course. And that’s great. We’ve talked about it ourselves with a host of Culture Clips on the subject. But what finally sparked my interest was how Lambert himself responded:

 

"I’m not a babysitter, I’m a performer," he told Ryan Seacrest on his radio show last week. He followed that up with Maggie Rodriguez on CBS’ Early Show, saying, "I think it’s up to the parents to discern what their child’s watching on television."

 

Cop out? Of course. I lose patience with the Charles Barkley  "I’m-not-a-role-model" stance pretty quickly, because celebrities are role models, whether they admit it or not.

 

But let’s be real: In the world right now, we can’t expect performers to behave in the ways we’d like. We can’t expect television networks to pull the plug when things get too raunchy for our taste, or for our children’s sensibilities. We might want them to—but we can’t expect them to.

 

The morning after Lambert’s performance, E! Online’s Joal Ryan wrote the following:

 

If our outrage over rock stars is nothing new, then neither are our rock stars. From Elvis’ pelvis on down, they are nothing if not dedicated to sex, more sex, the next new single, which is probably about sex, and ticking off people who prefer their s-e-x to be not so explicit, thankyouverymuch. Criticizing Lambert for what he did, smooched and pawed at the AMAs is like criticizing that Paula Deen lady on the Food Network because she made something with butter: It’s what they do.

 

It’s what they do.

 

But here’s what we do: We wield control—the remote control. And therein lies our real power. Power to sway the direction of what we watch in the future, because audience size is everything in the entertainment industry. And the power to shape our kids’ discernment by modeling our morals. That kind of power is nothing to sneeze at, folks.

1,057 Views 1 Comments Permalink Power to the PeopleTwitter Facebook Tags: family, music, role_model, influence, awards, adam_lambert

Star Pressure

Posted by Bob_Hoose Nov 25, 2009
thompson.JPGA while back I spouted a bit about director Roman Polanski, his 30-year-old sex crimes, and the celebrities who rallied together demanding that he be exonerated. Well, a tiny tidbit of side news about that ongoing saga popped up recently. And I thought it was interesting … in a non-Polanski way.

 

OK, that may sound confusing. But bear with me.

 

Anyway, it seems that actress Emma Thompson asked to have her name removed from that online petition full of Polanski supporters. Why, you ask? Well, a group of her fans voiced their dismay and asked her to just say "no." And she took their advice. Just as simple as that. In fact, Thompson said she was pressured to sign the petition in the first place because scores of her movie making pals "rang her up" with requests to join in.

 

Now the fact that Hollywood types give in to peer pressure isn’t really a big deal, I suppose. But we often talk about how we, as a culture, can be influenced by the entertainment we consume and the celebrities we watch. Isn’t it interesting to note that those same celebrities can be influenced, too? And in some cases, by little ol’ us?

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CSI.JPGLast month on a flight to the West Coast I sat next to a young woman who’d just gotten her Ph.D. in sociology. She was also a Christian, and like me, she’d spent serious time overseas. But unlike me, she was appalled by how American women are "marginalized" and "oppressed" when they should be treated like men virtually across the board. She criticized traditional marriage roles, and it puzzled her how, in a progressive, industrialized country like ours, women could still be expected to shoulder most housework and childcare duties even when they work outside the home. In her thinking, the best approach was to make genders more equal and fairly similar in their characteristics.

 

I listened. I nodded in agreement occasionally because she had some good points. But when she finished, I said, "You seem really passionate. But what exactly are you fighting against? God made men and women equal but different, and that’s His perfect will. Why would we want to cancel that with an androgynous culture?"

 

For a second, she looked like I’d slapped her. Luckily the plane was landing, so our conversation lasted only 30 more seconds before seatbelts flew off. And she never really answered my questions.

 

Don’t get me wrong. In our broken world, there are gender-related injustices. And I’m no shrinking violet, having been in the workforce all of my adult life, often in patriarchal foreign countries, and I’ve enjoyed being an adventurous teacher, writer and world traveler. But if given the chance and a family to come home to, I’d actually love to do their laundry and make dinner for them. And I have no problem with women happily fulfilling these roles full-time and looking at it as a ministry.

 

The fact this sociologist so adamantly fought such roles makes me wonder what’s promoting the indignation.

 

Maybe television is part of the mix. According to a study on the rank of women by Maria Shriver and the Center for American Progress, "Women’s professional success and financial status are significantly overrepresented in the mainstream media, suggesting that women indeed ’have it all.’"

 

It’s true. According to The Nielsen Company, the top five jobs women hold on TV are: surgeon, lawyer, police lieutenant, district attorney and cable news pundit. In reality, the Department of Labor’s 2008 statistics show the most common jobs for women are (in order): secretaries and administrative assistants, registered nurses, elementary and middle school teachers, cashiers and retail salespersons.

 

I am not saying women shouldn’t be cashiers or strive to be doctors (so please don’t send me hate mail). My cardiac physician friend is pleased as punch with her decision to go through med school and she’s helping patients left and right. But what I do wonder is whether television subtly pressures women to be "more" than a mom. Do "more." Achieve "more" outside the home because the doctor’s or attorney’s lives seem to be what's best and most exciting, on television, at least.

 

So what do you think? Do shows such as Grey’s Anatomy, Private Practice, House, and CSI subtly suggest it’s not enough for a woman to love her husband, raise quality human beings full-time and make killer Italian dinners when they come home at night? Do they inspire women to, in fact, do more and try to "have it all?"

1,419 Views 10 Comments Permalink Doctors and Secretaries and Moms, Oh, My!Twitter Facebook Tags: family, television, gender, women's_rights

Blinded by the 'Twilight'

Posted by Paul_Asay Nov 23, 2009
blindside 2.JPGLeave it to a vampire to drain us of our discretionary income.

 

Recession? Pish. The Twilight Saga: New Moon powered to a staggering $140.7 million take at the box office this weekend, breaking all sorts of records and proving, yet again, that tween girls really do rule the world.

 

With all the hubbub surrounding Team Edward and Team Jacob, it’d perhaps be forgivable for some fans to lose sight of what Wingate Christian School’s football team did this weekend.

 

Wingate is the fictional alma mater of real-life NFL player Michael Oher, central figure in the film The Blind Side. While the film’s gross was dwarfed by New Moon, the flick still took in $10.9 million its very first day (the most ever for a sports drama) and $34.5 million for the weekend (the biggest opening weekend take in star Sandra Bullock’s career).

 

Not too shabby for a story revolving around a football player and his adoptive evangelical family, eh?

 

Bullock plays Leigh Anne Tuohy, matriarch of a Christian family that really practices what they preach. The film has its share of issues, but I gotta say that I really enjoyed it—even though I watched it from a corner seat in the theater’s front row, which made all the characters look like monstrous aliens with lopsided eyes. It was great to see Christians making a positive difference in someone’s life.

 

In the Christian publication World magazine, Bullock admits she was leery of playing an evangelical firebrand. She says that she’s had bad experiences with preachy, hypocritical Christians, and she didn’t want to pull out a religious banner and wave it around. But talking with the real Leigh Anne Tuohy changed her attitude. "I now have faith in those who say they represent a faith," Bullock said. "I finally met people who walk the walk."

 

So, with the weekend in the bag, now it’s your turn to talk. Did you gaze at the New Moon? See The Blind Side? Didn’t think either of ’em was worth your cash? Let us know.

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twilightabs.jpgThe line snaked around the lobby, out the door and around the corner of the theater. Music blared from competing radio stations booths.

 

There were still two hours to go before the advance screening for The Twilight Saga: New Moon started in Denver.

 

I knew it was going to be a interesting night, as much because of the people who surrounded me as the film itself. And I was not disappointed, at least not in that respect. The cheering started the moment Summit Entertainment’s logo appeared on the screen. And it was quickly replaced with screeching when Robert Pattinson, otherwise known as the vampire Edward Cullen, loped across the school parking lot to give Bella her morning kiss. He loped in slow motion, by the way, as adoring music marked the timing of his light footsteps on pavement that seemed somehow unworthy of carrying his precious weight. He loped the way you see drop-dead gorgeous girls lope down school hallways in flirtatious flicks like Ferris Bueller’s Day Off and I Love You, Beth Cooper.

 

I had thought I was in for a moody ride through Bella’s broken heartedness (it’s in the second book that Edward leaves her—for her own good, of course), but I quickly realized that such emotional plot points were only going to serve as a backdrop for New Moon’s real business—getting the girls to go googly over guys’ great pecs and abs. Before it was over I’d lost count of the number of times Edward and rival Jacob had stripped off their shirts. But I don’t think the rest of the audience had. They were turning the exhibition into something of a contest to decide who was hotter. Team Edward! Team Jacob! Loudest screamers win.

2,324 Views 3 Comments Permalink Forget About Fangs, 'Twilight 2' Is All About the AbsTwitter Facebook Tags: teens, twilight, movie, culture, film, movies

An Unfriend-ly Trend

Posted by Paul_Asay Nov 19, 2009
unfriend.JPGThe New Oxford American Dictionary, North America’s last word on words, recently named unfriend as its word of the year. It means, in dictionary parlance, "to remove someone from a social networking site." But you already knew this.

 

This annual announcement used to be a bigger deal, before all of us started using the Internet and making up words all the time. Back in the day, getting into a dictionary was an obligatory rite of passage for any word worth its vowels. Nowadays, words often skitter right past Oxford (or Webster's or whatnot) on their way to legitimacy, and the dictionary is left playing catch-up.

 

In fact, lots of social networkers who delete folks from their Facebook or MySpace rosters all the time think Oxford missed the boat entirely: They defriend people: To unfriend them sounds sooooo Oct. 14th.

 

"Unfriend implies a complete lack—that you are absolutely not friends," 27-year-old Jillian Quint told ABC News. "Defriend implies that you were once friends."

 

Which makes me think that, in Jillian’s world, there’s probably room for both words: Lots of folks who have social networking sites have some "friends" they’ve never actually met, along with some folks they wish they never had.

 

For its part, dictionary publicist (who knew dictionaries needed publicists?) Lauren Appelwick tells us that "unfriend is far, far more popular," with the word’s popularity being determined by a complex and unreleased algorithm too complex for linguistic laymen to understand. Or perhaps they just did a Google search. In my own search, unfriend brought back about 11.6 million hits; defriend a mere 188,000.

 

The word trumped such other linguistic newcomers as hashtag (a # sign slapped on many Twitter posts), netbook (a mini notebook computer) and my personal favorite, intexticated (driving while texting). Which goes to show you how technology is changing every aspect of our lives—including the way we talk.

 

When you think about it, technology and language have quite a bit in common. Technology today, really, is all about communication, and the written language was at the bleeding edge of technology around 3,000 B.C. Both are pretty indispensable, and both (like truculent teens or overgrown vegetable gardens) can get unruly. You never know, exactly, where either will go in the future—other than somewhere completely unexpected.

 

I mean, who knows how we’ll be communicating in the future. What sorts of words will Oxford be honoring five years from now? Will we still be blogging and Facebooking and Tweeting in 2019? Will we be using language at all? Or will we just have mini Wi-Fi hot-spots embedded in our noggins, allowing us to regurgitate our thoughts directly into one another’s brains?

 

For my part, I hope we’ll never realize that last part. Language is a beautiful thing, and I’d hate to lose it. Plus, if we get to the point where we can  listen  to each other’s thoughts all the time, unfriending could be a really big headache.

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Story Time ... Online

Posted by Adam_Holz Nov 18, 2009
storytelling.JPGBefore my 3-year-old son, Henry, clambers into bed most nights, we almost always read a story (or two, or maybe three, depending on how determined he is to stay up). If I had a quarter for every time he’s asked me to reread his favorite book about tractors and diggers, well, I could probably retire comfortably.

 

But what if I’m not home at bedtime … and Henry still wants to hear a story from Daddy?

 

A new website, A Story Before Bed, offers a solution. The concept is simple: Parents (or other caregivers) with webcam-equipped computers can select from one of 50 or so books on the site and read it (the book appears onscreen). That reading is recorded to an account on the site, to be played back at any time. During that playback, children see the pages of the book being turned (onscreen) with a window showing the video of Dad or Mom (or perhaps Grandpa or Grandma) reading the story to them. Cost per book: $6.99.

 

We sometimes talk about how modern media and entertainment technology have eroded interest in simple pleasures, like reading a book. This concept, I think, creatively harnesses technology to make the tradition of story time before bed possible, even when Dad or Mom can’t be there.

 

While it might not be quite the same as the "real thing," astorybeforebed.comenables parents who travel, distant grandparents and military personnel stationed overseas a way to connect with their kids or grandkids that they might not have had otherwise.

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Dads are important.  And there are right and wrong ways to be one.  That message was communicated loud and clear over the weekend by two sets of filmmakers, one in Hollywood, Calif., the other in Albany, Ga. And yet their projects couldn’t be more different.

 

The hot new disaster flick, 2012, depicts the end of the world in eye-poppingly cataclysmic fashion, aided by a huge budget and gaudy special effects.  It also alludes to the devastation wreaked on families when dads aren’t present in the home, become disengaged, or model poor character. The protagonist, played by John Cusack, is estranged from his wife and two young children. But by the end of the film, he heroically reconnects with them, regaining their respect while rescuing them from more than just Armageddon.

 

He’s not the only onscreen patriarch in need of redemption here.  Minor characters, aware that the end is near, try to make peace with their kids long-distance or find themselves making supreme sacrifices. What 2012 fails to explore, however, is why those flawed fathers fell from grace in the first place, or what practical steps a man can take to avoid or repair damaged relationships at home.

 

That’s where Sherwood Pictures comes in.

 

Courageous.JPGShortly after screening 2012, I hopped a flight to southwest Georgia, where the folks at Sherwood Baptist Church unveiled plans for their next theatrical release, which will probably be produced and distributed for about what 2012 spent on catering. You know Sherwood Pictures. That’s the ministry behind sleeper hits such as Fireproof and Facing the Giants. During a Sunday evening service devoted largely to prayer and worship, director Alex Kendrick (pictured third from the left, along with brother Stephen Kendrick, Jim McBride and Sherwood’s senior pastor Michael Catt) and his creative team introduced the concept for Courageous.

 

"The movie is about fatherhood," Kendrick says. "Four fathers in law enforcement go through a terrible tragedy. They begin looking at their commitment to ’protect and serve’ as it relates to their role as fathers, challenging one another to fulfill God’s intention for fathers." Then they start a Bible study and everyone lives happily ever after, right? Not so fast. Just as only some seed found fertile soil in the parable of the sower (Luke 8:1-15), these officers face challenges, and not all will experience lasting change.

 

Could Courageous do for fatherhood what Fireproof has done for marriages? I sure hope so. So does executive pastor/producer Jim McBride, best known to audiences as fiery football coach Bobby Lee Duke in Facing the Giants. McBride said, "The statistics on fatherless children are devastating. And because the family is the building block of society, one important place to rebuild families is through fathers who stay and lead and love."

 

I don’t know about you, but I’m pumped. Courageous begins shooting in the spring of 2010, and is due in theaters sometime in 2011. Which is a good thing. Because if the world really does end in 2012, at least dads who’ve seen Courageous will have had plenty of time to get their houses in order.

 

What do you think about the unique movie ministry of Sherwood Pictures? If you’re looking forward to Courageous or if you’ve been touched by their previous films, tell us about it!

3,438 Views 3 Comments Permalink From 'Fireproof' to FatherhoodTwitter Facebook Tags: family, fathers, movies, christian_entertainment, sherwood_baptist

To Meep or Not To Meep

Posted by Paul_Asay Nov 16, 2009
beeker.JPGJust call them the Meep Generation.

 

A bunch of kids from Danvers (Mass.) High School nearly hopped into (ahem) a beaker full of hot water when they used the word meep as a method of social disruption.

 

Meep, to my ear, seems an odd sort of rallying cry for school chaos. Introduced to the English lexicon by Beaker, Dr. Honeydew’s orange-haired, no-necked assistant on The Muppet Show, meep has become (according to The Salem News) a word teens use when they’re at a loss for something to say. And while Salem’s news story didn’t specify just what manner of meepisms were going on or planned, they must’ve been pretty … meepish. The school’s principal sent an automated phone message to all students’ parents, warning them if their teens said or displayed the word at school, they could be suspended.

 

"It has nothing to do with the word," said Danvers principal Thomas Murray. "It has to do with the conduct of the students. We wouldn’t just ban a word just to ban a word."

 

Essentially, the principal was riffing on the old parenting cliché, "It’s not what you say, it’s how you say it." And it’s true. Words, by themselves, are just letters strung together. We give words their power through meaning and inflection. Words like "frig" or "freak" are docile little constructs in themselves, but through modern-day usage, they’ve become stand-ins for a far more offensive f-word—and have, in a sense, taken on its meaning. Yosemite Sam could’ve burned his grandmother’s ears when he got on one of his foul-mouthed tears—yet the actual sentence was light on curses and heavy with words like "tarnation" and "galloot."

 

More recently, Fantastic Mr. Fox doesn’t contain a single cuss word—but it does repeatedly use the word "cuss" in constructs that would feature actual cuss words ("you gotta be cussin’ me," for instance). Do the woodland animals in Fantastic swear? Not in a way that would alarm censors or trigger a ClearPlay machine. And yet they do all the same. Maybe you could think of folks in your own life who invest an extraordinary amount of power in rather ordinary words.

 

I doubt these Danvers high schoolers are turning meep into a swear word. But they were able to imbue it with a power Beaker would’ve not dreamed of … and that, in and of itself, is a pretty effective English lesson if they take it as such. We gotta watch what we say … and how we say it.

 

Pretty fascinating, this language of ours. When I think about it deeply, really only one word comes to mind.

 

Meep.

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The Sky Is Falling! Again!

Posted by Paul_Asay Nov 13, 2009

2012.JPGDisaster.

 

No, I’m not talking about my hair. I’m talking about movies, people. The film industry has been on a disaster kick lately, and in the last couple of years we’ve seen the world destroyed (or, at the very least, seriously threatened) by monsters, men, machines, men and machines, robots masquerading as men, robots masquerading as machines, blindness, solar flares and giant space drills. (Don't forget the zombies!) And now we have the world-ending film to end all world-ending films, 2012, in which the world is rocked by earthquakes, volcanoes, tsunamis and slightly crazy radio hosts.

 

"When you go see a movie like this, it's giving voice to your worst fears," says John Cusack, one of the stars of 2012. "It's like running around on Halloween and celebrating ghouls and mayhem. I don't know what it is in us, but we definitely want to come close to that edge. But if it were reality, we'd all be weeping all day."

 

I came away from 2012 with, as we movie reviewers say, a complex reaction. It is (let’s just admit it) pretty cool, special-effects wise, and it had some surprisingly strong messages. But I felt bad about sitting through the destruction of the earth and all its 6 billion inhabitants. If you decide to see this flick (after reading my review, of course!) I’d love to hear what you think.

 

But I’d also like to get a sense of why you think these disaster films are so popular these days. Do stressful times (such as we’re living in now) foster a need in us for some sort of onscreen catharsis? Are we simply curious to see what the end times might look like? Do we just like to see things blow up?

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lying.JPGI know we talked a little about lies in a recent blog, but here’s another little tidbit from a different angle.

 

A new study from the Josephson Institute of Ethics suggests a strong connection between dishonest teens and dishonest adults. If you make a habit of lying or cheating in your high school years, the study says, then most likely you’re going to be one of those who cheats on his taxes or lies to their spouse.

 

Isn’t that what dear old Mom always said would happen?

 

Now, I know we’ve all told a wee fib or two in our lifetimes.  But this study is speaking of people who lie on a much more consistent basis. I’ve known a handful of people in my life who established an unhealthy habit of lying when they were kids, and then had an extremely hard time trying to break the pattern later. In fact, two of those falsehood-favoring few would readily lie at any point of duress even if they knew the truth was just around the corner. Both had an eventual face-first meeting with reality that cost them dearly and hurt others too.

 

Here’s the kicker. The Josephson study also found that today’s teens, 17 and younger, are five times more likely than the last generation to believe that lying and cheating are necessary to succeed. Hmmmm.

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'A Good Story Well Told'

Posted by Paul_Asay Nov 11, 2009

up.JPG

It's November now, and here at Plugged In that means we're on the cusp of Oscar season. Films with Academy Awards aspirations are starting to trickle into the the theaters, and those sorts of films present all manner of opportunities and challenges for us. I mean, what do we do with beautifully made films that grapple with weighty, spiritual issuesall while gunning out profanities by the minute?

 

In the most recent installment of my eight-part series "Not Just a Movie," I talk about how there is no one way for Christians to think aboutor watchmovies. We Christians are all over the map when it comes to this stuff, so it's probably not too surprising that Christian film critics tackle films from different viewpoints, too, Here at Plugged In we tend to take some of the more obvious issuessex, violence, profanitypretty seriously, largely because tons of parents read our reviews while deciding what to let their kids watch (or not). I know this can frustrate the dickens out of kids—I've gotten letters from a few of thembut I'm sure they'll come to thank us eventually!

 

slumdog.JPGStill, that doesn't alter the fact that some problematic movies can contain some really worthwhile messages ... and figuring out how to navigate that paradox is probably the biggest single challenge all of us Plugged In writers face. How do we talk about Slumdog Millionaire's inspirational love story and sense of destiny without shortchanging the fact that it's steeped in poverty, prostitution and horror? Can we convey Gran Torino's Christ-inspired sacrifice's and its alarming number of racial epithets, too? Upperhaps my favorite film this yearseems like it'd be a slam-dunk for us: Stunning storytelling, great messages and no problematic content to speak of. Yet, after Plugged In published my review, we got an angry letter or two from parents shocked that we'd give such a glowing critique of a film that dealt with death.

 

I know sometimes readers get frustrated because we don't grade our movies by stars or thumbs up and down ... but frankly, many films are too complex to just give them a Plugged In stamp of approval (or disdain). We're here to make you think more critically about movies, not just provide a list of do's and don'ts. Sorry, folks, but you've got to make your own hard decisions.

 

Last week, Joel, a reader, offered some e-mailed thoughts on my first "Not Just a Movie" chapter:

 

As I read your first installment I thought of my bottom line criteria for watching a movie: "Is it a good story well told?" It's a simple question, and when the movie is over it becomes a simple statement (one way or the other); but it is full of meaning when you allow the words "good" and "well" their full contexts and meanings ... which deepen as I experience both life and the Lord of life.

 

Pretty good criteria, I'd say. Thanks, Joel.

 

So, with that said, I want to open this up to you. What, in your mind, is a "good story well told?" What film has moved you the most this year? I'd love to hear from you.

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gossip girl.JPGHow do we know what normal is?

 

For example, is it normal for three college students—two girls, one guy—to have a simultaneous sexual encounter?

 

That’s exactly what happened on this week’s episode of CW’s boundary-pushing series Gossip Girl. And some, including the Parents Television Council, believe that depictions of once aberrant behaviors such as these normalizes and mainstreams them—so much so that impressionable viewers, especially teens, might believe that a ménage à trois is simply one acceptable sexual choice among many.

 

Many in Hollywood would say that anyone watching such a show should automatically know that it’s just a "harmless," campy fantasy. And admittedly, Gossip Girl is campy. But I don’t think I’d ever call it harmless in the way it depicts beautiful, privileged teens and young adults consistently making morally bankrupt choices with few consequences.

 

For my part, then, I’m pretty sure that shows like these do influence and shape what we consider normal and acceptable.

 

What do you think?

1,199 Views 5 Comments Permalink Gossip Girl and the New Normal?Twitter Facebook Tags: sex, morality, television, culture, gossip_girl, cw

Bah Humbugging Good

Posted by Bob_Hoose Nov 6, 2009
scrooge.JPGEbenezer Scrooge is one of the most delightful grumpy old men there’s ever been. Seriously. Can you think of any better? Why even the old codgers from The Muppets or Fred Sanford from Sanford and Son couldn't hold a candle to the gloriously irascible old coot from A Christmas Carol. Part of it, of course, is the fact that Charles Dickens penned all his precisely elocuted biting harangues.

 

"If I could work my will, every idiot who goes about with ’Merry Christmas’ upon his lips should be boiled with his own pudding, and buried with a stake of holly through his heart!"

 

Now, is that great dialogue, or what?

 

That’s probably why actors through the ages have thronged to play him. Why, in my acting days, I even had the chance to growl out his bad-tempered barbs on stage—following, of course, in the footsteps of the greats such as Alastair Sim, Albert Finney and Mr. Magoo. (Hey, even Fred Flintstone and Barbie gave it a shot at one point.)

 

Well, I recently screened and reviewed Jim Carrey’s take on the surly geezer in Disney’s A Christmas Carol that opens this weekend. And I’ve got to say—as a Scrooge loving, watch-every-version-of-Christmas-Carol-that-plays-in-the-holiday-season kind of guy—I thought he did an excellent job. To be truthful, considering the whole shebang, I think this animated version of the tale is probably the best one I’ve ever seen.

Now some of you purists may be clucking your tongues and invoking the names of Lionel Barrymore or George C. Scott or Susan Lucci, but I’m telling you it’s pretty bah humbugging good. (Pretty scary for little ones in the ghosty parts, too, I’ll admit. But have you seen the 1921 Alastair Sim version? Brrr.)

 

Now, you tell me: Who’s your favorite? Which Scrooge, in your mind, would Dickens be the most proud of?

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Owl Who?

Posted by Adam_Holz Nov 5, 2009
owl city.JPGEarlier this year, the Black Eyed Peas held the No. 1 spot on Billboard’s Hot 100 chart for a remarkable 26-week stretch—an impressive feat of musical domination, to be sure. Then again, we’re talking about one of the world’s most successful bands, an act with an established fan base and a knack for self-promotion and brand management that would do any advertising firm proud.

 

When a band of the Peas’ stature lands at No. 1, it’s not too surprising. It’s simply a case of the rich getting richer, one might say.

 

But what about when the act at No. 1 comes out of nowhere? Literally.

 

I’m talking about Owl City.

 

Who are they? I confess I didn’t know until recently—yesterday, actually. And it turns out that Owl City isn’t a "they" at all, but 23-year-old Adam Young of Owatonna, Minn.

 

A couple years ago, Adam began writing electronic techno-pop in his folks’ basement, just for the fun of it. "I started writing electronica music just on a whim," he recently told Entertainment Weekly. "I hadn’t really delved into the world of programming and sequencing, and the endless roads that you can take via electronic music, so I thought it would be fun to take a stab at it. I got a sequencing program and wrote what turned out to be seven songs for an EP’s worth of music. I put that stuff out there on MySpace and didn’t really do much with it, just let people discover it. The response that came in was incredible. One thing led to another."

 

Indeed.

 

Three albums and millions of MySpace hits later, Adam has a No. 1 hit with the song "Fireflies." It’s a turn of events antimusic.com dubbed "the artist development story of 2009."

 

There are lots of interesting angles to Owl City’s remarkable story (a couple of which, including Adam’s Christian faith, we detail in our review of "Fireflies" here).

 

But the one I want to focus on is how the Internet continues to democratize the music industry. Even as major labels struggle to stay viable, MySpace and iTunes and other services make it possible—at least in theory—for virtually anyone with talent, resourcefulness and a bit of luck to reach the top. Including a young musician with just a keyboard and a computer who was forced to turn his folks’ furnace off in order to record.

 

"My parents live in a 104-year-old Victorian farmhouse [that included] a really old, unfinished basement that I had sort of taken over. I remember recording during winter and having to unplug the furnace because it was so loud and I needed to get the room to be quiet. The whole house got [down to] 30 degrees and my parents weren’t too happy. But they’re not complaining now, so it’s all good!"

 

As some people lament the demise of the music business as we know it, it’s good to keep in mind that the rise of new media also makes it possible for artists such as Adam Young to reach the masses as well—a development that would have been unimaginable not very long ago.

 

Who says living in mom and dad’s basement has to be a dead end?

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Perhaps inspired by the exploits of Miley Cyrus, Zac Efron and others over the past year, Disney now requires all its up-and-coming young stars to attend Talent 101, which is designed to prepare them for the pressures (and temptations?) of celebrity life. The faculty includes security experts, psychologists and media consultants who’ll help young performers handle everything from pushy journalists to rabid fans.

 

disney.JPGThe actual curriculum hasn’t been made public, but I suspect lessons might include “Things Better Left Unsaid,” “Recognizing an Immodest Photo Shoot” and “Dances to Avoid at Awards Shows.” (Miley got a crash course in those subjects from the school of hard knocks.) Let’s face it, being in show business is a challenge. Preserving a wholesome, Disney image in a world resembling Pleasure Island is even harder. These kids need all the help they can get.

 

Some people might argue that this isn’t about the kids at all. Rather, it’s simply the Disney Machine’s self-serving attempt to avoid public relations headaches and protect its sizable investment in pop icons likely to have their faces plastered on half the products at your local Walmart. That’s the cynical take, but it could be accurate.

 

I’m in no position to judge anyone’s motives. All I can say is that, as a father of two preteens, I kinda like the idea of coaching young celebs to stay safe, grounded and out of the tabloids. I mean, is it so awful to remind them that they have a responsibility to the people giving them the platform to live out their dreams? To Disney? To corporate partners? To parents? To young fans?

 

I also hope that Talent 101 includes a unit on “How to Cope If I Don’t Become the Next Selena Gomez.” That would speak volumes about Disney’s genuine, long-term concern for its stable of young talent.

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Storytime

Posted by Paul_Asay Nov 3, 2009

oldstorybook1.jpgIf you look at Plugged In's home page "rotator" today, you'll notice a big picture of a candle grasped between two fingers. It's a pretty cool picture for what, I hope, you'll think is a pretty decent story—the first of an 8-part series (titled "Not Just a Movie") I've written that explains why we at Plugged In do what we do.

 

The first part ("Super Story Power") is really (as you might've guessed from the title) about the power of story—why stories resonate so deeply within us, and why the act of storytelling itself is, I think, close to a sacred act. For me, it may be the part of the series that hits closest to where I live.

 

I was one of those weird little kids who reads all the time. Even when I was in my crib, I needed to be supplied with 11 books (not 10, not 12) to look at before I went to sleep. C.S. Lewis' The Chronicles of Narnia books, I think, were the first books I ever really loved, and I remember sometimes reading two in a day. (I was out of my crib by this point!) I majored in English in college, and I still find myself with three or four books on my nightstand at any given time. As long as I have a book nearby, I'm a reasonably happy person.

 

Movies are simply stories told in moving pictures, and as such I have a big appreciation for much of what I see onscreen. I think I can say, fairly, that I love movies, though that might be a little misleading: I don't find every movie all that lovable, and frankly, most have their share of problems—too many to embrace without reservations.

 

But all that's there in my story. And as you read it, this week and in the coming weeks as it arrives online in installments, I'd love to hear what you think.

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Miley Worse Than Britney?

Posted by Paul_Asay Nov 2, 2009

miley.JPGWhat would Hannah Montana say?

 

Reigning teen queen Miley Cyrus has been named as the "worst celebrity of the year" by the readers of AOL's teen-centric pop culture website, jsyk.com, beating out such celebrities as Kanye West and Britney Spears.

 

The results, at first glance, feel pretty bizarre. I mean, it's hard to imagine Miley jumping up on stage and ripping a microphone away from someone during a live awards show, as Kanye did. And call me naive, but I just can't quite picture her singing a suggestive song like Britney's "3." Not yet, anyway.

 

No, my guess is that Miley's "worst celebrity" honors are a reflection of the oversized positive influence she's had on tweens and teens. Youth, I think, can be surprisingly savvy when it comes to celebrities, and the antics of a Kanye West or a Britney Spears probably didn't surprise them much. But Hannah Montana from the Disney Channel? Posing without a shirt in Vanity Fair and dancing around a pole on live television? That stung a bit: Like seeing an idolized older brother sneaking a smoke behind the garage.

 

Stephanie Cohen, who edits the jsyk.com site, believes that, "Some of her fans just don't want her to grow up," according to buddytv.com. But I think we should give Miley fans a bit more credit. Everyone grows up: Miley's fan base probably understands that more than some. But not everyone feels their way to adulthood through the use of a stripper pole.

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