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TD for Tim T?

Posted by Paul_Asay Feb 8, 2010
So I was sitting on my couch yesterday, munching on nachos and sipping a carbonated beverage when I saw Tim Tebow tackle his mother.

 

It was a clean hit—no flags were thrown, no fines were levied. And it was, I must admit, a clever turn for what at first appeared to be a slick-but-standard advertising spot. The Super Bowl was full of ads featuring screaming chickens and talking babies and underwear-clad men, but only one featured a son taking down his mom (in an extremely respectful and affectionate way, of course).

 

 

The Tebow/Focus on the Family spot proved to be controversially uncontroversial. On the way in to work today, I heard one media watcher criticize the ad because he didn't know what it was even about: The pro-life ad was about as polarizing as a room full of puppies.

 

For myself, I really liked it: It was light, professional and sincere—and it played even better than I hoped it would, quite frankly.

 

But then that's what you'd expect me to say, wouldn't you? After all, Focus on the Family is, literally, paying me to write this blog. While we here at Plugged In are all about dispensing fair critiques, perhaps my opinion is not completely reliable when it comes to our material.

 

So … what did you think? Did the Focus/Tebow spot score? Or fumble?

 

And while you're at it, tell me what you thought of the other Super Bowl ads, too. What was your favorite? Did anything shock and appall you? I personally didn't think the ads were quite as funny as they had been in years' past, but some were pretty effective. This morning I have a sudden urge to eat at Denny's and wander down to the vending machine for a Snickers.

2,545 Views 11 Comments Permalink TD for Tim T?Twitter Facebook Tags: television, influence, advertising, super_bowl, tim_tebow, controversy
dear john.JPGWith $32.4 million worth of box-office receipts, Dear John officially toppled Avatar after seven weeks at No. 1. Why was it Dear John and not last weekend's Edge of Darkness? Maybe it's the alluring power of Kleenex.

 

A Nicholas Sparks novel-turned-movie first shocked me with its tear-duct-draining ability in Los Angeles when I saw The Notebook. At the end of the show, even grown men in the enormous, loudly sniffling audience were grabbing for tissues. Dear John is more of the same: a far-fetched, histrionic flick from the Sultan of Sap. (Sparks probably owns stock in paper products.)

 

This picture didn't leave me teary-eyed, though women were crying all around me. I was just really irritated with Savannah (played by Amanda Seyfried), who jilted her soldier fiancée, John (Channing Tatum), while he was deployed.

 

Nonetheless, after recovering from my blinding ire and others' sobbing, I learned something from this film: Visceral reactions are often worth reexamining.

 

When reviewing the movie, I had to look beyond my own emotional blinders. I had to consciously step back and reevaluate the positive content in the film in order to be fair to Sparks and his cast. To her credit, Savannah does stick with her man in the end—and, OK, it's not John, but at least she's made a commitment. And John's self-sacrifice and forgiveness, which could be called redemptive and somewhat Christ-like, are worth some reflection.

 

Now, these things aren't enough for me to say, "Run out and see this picture!" Frankly, you're probably better off not, especially if you have a head cold. But they were enough to make me reconsider my own predispositions. I remembered anew to step back and give the benefit of the doubt.

381 Views 0 Comments Permalink Movie Monday: Dear JohnTwitter Facebook Tags: box_office, movie, dear_john, avatar, romance, war, 9/11, autism, aspergers_syndrome, nicholas_sparks
football stadium.JPGIt's amazing what dust an eensy-weensy Super Bowl ad can stir up.

 

As some of you may have heard, Focus on the Family (Plugged In's parent organization) will be airing a commercial during the Big Game this weekend. The ad—featuring former Florida Gators quarterback Tim Tebow and his mom—has become a pretty big deal around here—so much so that execs have taken to wearing shoulder pads and doing chest bumps in the hall. Morning devotionals are sounding more and more like play calls ("Isaiah 26:12 … hike!"). And I'm expecting Dippin' Dots vendors to show up sometime today.

 

But if the Super Bowl ad has triggered a certain eccentricity on the Focus campus, it's made some folks positively apoplectic outside it.

 

I've not seen the ad. My boss has not seen the ad. My boss's boss has not seen the ad. Very few of us inside the building have seen it, much less outside our pleasant, cubicle-lined confines. Nevertheless, several groups have asked CBS to yank the thing.

 

"By offering one of the most coveted advertising spots of the year to an anti-equality, anti-choice, homophobic organization, CBS is aligning itself with a political stance that will damage its reputation, alienate viewers, and discourage consumers from supporting its shows and advertisers," read, in part, a letter to the network signed by a number of women's groups.

 

Sports columnist Gregg Doyel, who writes for cbssports.com, took a different tack: "If you're a sports fan, and I am, that's the holiest day of the year. It's not a day to discuss abortion."

 

The ironies, of course, abound. I mean, we're talking about a sporting event that features advertisements devoted to beer, scantily clad women and folks getting thwacked in the crotch.

 

"Objectionable, after all, is in the eye of the beholder," wrote James Poniewozik, television columnist for Time magazine. "It seems ridiculous to start saying that espousing religion … is objectionable in an ad environment of alcohol-pushing animals, slapstick violence and Danica Patrick's cleavage."

 

For a while, news-related searches for Focus' ad dominated Google. And maybe that's not too surprising since our media culture loves a good row. But my guess is that when folks actually see the ad their reaction will be along the lines of, "Wow. And groups were up in arms over this? An ad celebrating families?"

 

When I was a religion reporter at a Colorado newspaper, I covered Focus on the Family quite a bit. And I learned pretty quickly that some people love the organization and some people—well, don't.

 

Now, frankly, I can understand why some folks might disagree with elements of what Focus does: We don't shy away from wading through controversial waters when conviction calls and Scripture specifies. That's part of what the leaders here feel called to do. But back in the day, one of my sources told me something that feels pretty appropriate right about now:

 

"Focus is about as controversial as flossing your teeth."

 

And really, when it comes right down to it, that's how Focus perceives itself: a dispensary of oral hygiene tools—which might hurt a little at the time, but are designed to help and heal, not harm.

2,103 Views 0 Comments Permalink Just Wait 'Til They See the Ad!Twitter Facebook Tags: abortion, media, culture, focus_on_the_family, influence, football, super_bowl, tim_tebow, pro_life, pro_choice

It's Good to Be the King

Posted by Adam_Holz Feb 4, 2010
avatar2.JPGOK, so maybe he is king of the world. The movie world, at least.

 

I'm talking, of course, about director James Cameron. On Tuesday, his sci-fi behemoth Avatar surpassed Titanic—also a Cameron-helmed film—as the highest-grossing North American film of all time. Cameron's blue-skinned protagonists pulled ahead of his tragic ship-sinking story by a margin of about $300,000 ($601.1 million to $600.8 million).

 

And that's just the domestic market, mind you. The previous week saw Avatar eclipse Titanic as the highest-grossing movie worldwide. As of Feb. 3, Avatar had raked in more than $2 billion internationally, compared to Titanic's former record of $1.8 billion. Both Titanic marks were records that many people thought would never sink.

 

Perhaps the most remarkable thing about Avatar's rush to the top has been the speed at which it's accomplished those feats. Avatar stole the crown in just 47 days. On day 47 of its cinematic voyage, Titanic had taken in "only" $311 million.

 

I have to confess, I've been checking Avatar's numbers at Box Office Mojo obsessively for a couple of weeks now. I'm not a huge James Cameron fan, and I didn't think much of Titanic. So I've been looking forward to seeing that that ship go down—even if it got torpedoed by another Cameron film that's not without some philosophical and content issues of its own.

 

Many have noted that Avatar's record-setting numbers need to be kept in comparison. Inflation and higher prices for 3D and IMAX screenings have accelerated the film's box office take, which makes comparing it to everything that's gone before something of an apples-to-oranges proposition. Titanic has still sold more tickets than Avatar. And when you factor inflation into the formula, Avatar clocks in at yawn-worthy No. 21 on Box Office Mojo's all-time list, in terms of North American sales. At the top? Gone with the Wind, a 1939 film whose $198 million gross (which includes subsequent theatrical re-releases) translates to a whopping $1.5 billion in today's dollars. So give Avatar an asterisk in the record books.

 

Still, if higher ticket prices were really that much of a contributing factor, you'd think we would have seen scores of films top the Titanic's numbers since its release 12 years ago. And that just hasn't happened. Only The Dark Knight got within striking distance. So maybe Avatar's numbers are a big deal after all.

 

As Scott Mendelson, film critic and pundit for Film Threat, Huffington Post and Mendelson's Memos wrote a couple weeks ago, "Avatar is showing consistency unlike any event film in recent memory, and it's not even close to finished. … With sell-outs still being reported left and right … and the awards race yet to factor in, Avatar may just be getting started. Let's see where the movie stops before we discuss asterisks and mitigating factors."

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Words to Live By

Posted by Bob_Hoose Feb 3, 2010
kesha.JPGI wanted to share a couple recent cultural happenings that you may not be aware of. Frank Buckles had a birthday. And singer Ke$ha knocked Susan Boyle off the No.1 spot on the album sales charts.

 

Now, you may not have heard of either of these two people. Or, if you have, you may be at a loss as to how they fit together. But bear with me for a few moments and I'll elucidate.

 

Let's start with Frank, the last living veteran of World War I. This aged "doughboy" just turned 109. As a soldier in the U.S. Army, Buckles was an ambulance driver for American forces in Europe, and he once met commanding Gen. John Pershing. The seasoned gent offered some thoughts on how he has managed to reach his second century: "The important thing is the desire to live, and a purpose for living," he told CNN.

 

Ke$ha, on the other hand, is all of 22. She's the latest party-till-you-drop chanteuse who made it big not too long after dropping out of high school. Of course, her life experience has taught her a thing or two. She's feeling a little sheepish about bumping Susan. "I feel like a jerk," Ke$ha admitted to the New York Post. "They act like I beat her up. She's sweet. I'd kiss her. Hasn't she never kissed anybody before?"

 

When asked about his long life, Frank told the Knoxville News that, "Longevity has never bothered me at all, I have studied longevity for years."

 

When Rolling Stone asked about her life, Ke$ha said, "Society has taught us to suppress certain things, but if I want to do something, I let the animal inside take over, no matter how uninhibited or irreverent it is. Who cares? Crazy people are what keeps life interesting."

 

"If your country needs you, you should be right there," Frank told the News about service and patriotism. "That is the way I felt when I was young, and that's the way I feel today."

 

"I think people can stand to take themselves just a little less seriously," Ke$ha said to Billboard magazine about her own battles. "I'm fighting the war against pretension."

 

"I had many different assignments and I was doing things that I thought were important … no, I didn't either: I didn't think they were important. But I found out afterwards when I read up on my history that some of the things that I did were quite important," Frank told Tampa Bay Online.

 

"If you come to a live show, it's a sensory assault. You will leave covered in sweat, beer, glitter, and, just maybe, you'll get a special edition Ke$ha condom. If it breaks, you have to name your daughter or son after me," Ke$ha recently told Billboard.

 

Anyway, I just thought you might like to hear from two people in today's cultural news—two distinct voices that ought to be heard, for one reason or another.

 

Oh, and Frank told The New York Times one other thing about the secret to a long life: "When you start to die … don't."

 

Just "don't." Well, Mr. Buckles, it seems to me that in a number of life's situations, your admonition is pretty wise. I wonder what Ke$ha would say?

612 Views 0 Comments Permalink Words to Live ByTwitter Facebook Tags: music, discernment, long_life

Movie Monday: When in Rome

Posted by Paul_Asay Feb 1, 2010
Someday, I will write this Monday blog and announce that Avatar has fallen to No. 2.when in rome.JPG

 

But today is not that day.

 

Avatar continued to hold a convincing lead on the weekend's box office charts, pulling down another $30 million to continue its march to becoming North America's top-grossing film of all time. Mel Gibson's R-rated Edge of Darkness crawled into the No. 2 slot with $17.1 million, according to Box Office Mojo, while another newcomer, When in Rome, debuted in third place with about $12.1 million.

 

Frankly, I'm surprised When in Rome did that well. It launched without a bevy of brand-name stars or a massive publicity push, so the fact it performed as well as it did may suggest movie-goers are hankering for a little bit of PG-13 romance. When you look at the releases lately, and the theaters have been awash in action and adventure and gore. When in Rome seems like a smart bit of counter-programming.

 

And indeed, When in Rome felt, in some respects, like a good soap: pretty sweet, refreshingly clean and completely unremarkable.

 

But it also left me in a bit of a lather.

 

See, the film, along with its normalish romcom attributes, served up a rather flighty attitude toward marriage. It suggests that the institution is inherently a gamble—a box of chocolates, in Forrest Gump lingo. "The passion is in the risk," one of the characters says. And that sorta rubbed me the wrong way.

 

I wrote in my review (and you can read the whole thing here) that:

 

Marriage is about so much more than passion, more than risk—more than a lottery ticket where the winners get fairy-tale endings and losers find divorce attorneys. Marriage is about commitment—commitment that holds firm through the fickle vagaries of human emotion. Yes, there's risk involved in it, but marriage should never be analogous to rolling the dice in a game of chance. Rather, it's like building a house: You check the foundation, you build the angles square, you make sure the place will last a lifetime.

 

It made me feel a little bad to hammer the movie on this point, since it obviously tried to be a bit cleaner than your typical romcom. Now I want to hear your take. Do you think I was too hard on the film?

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JessicaAlbaFantasticFour.jpgWe've read stories on how celebrities influence us. We've read stories on how we're growing more obsessed with how we look. We've even read stories on how celebrities affect that obsession. But I've never read a story quite like this.

 

There's a woman in China (London's Daily Mail just calls her Xiaoqing) who desperately wants to reunite with her boyfriend. No news there, right? What's she doing ... sending him flowers? Texting him sweet messages?

 

Of course not. No, Xiaoqing plans to undergo a bevy of plastic surgery procedures so she can look exactly like Jessica Alba.

 

Seems her boyfriend has a thing for the Fantastic Four starlet, and he loved it when Xiaoqing would make herself look as much like Alba as she could. The boyfriend even bought Xiaoqing a blond wig to wear. But eventually, Xiaoqing decided she'd rather look more like herself, so she dumped the wig. And he dumped her.

 

Now Xiaoqing wants him back, and she's willing to undergo a slew of cosmetic surgical procedures to make herself into her beau's dream girl. Doctors say it's possible for her to get the look she wants, though not necessarily advisable. All those cosmetic cuts and incisions and stitches? It can be dangerous and it'll be certainly irreversible, they tell her.

 

No matter, Xiaoqing says.

 

"I'm not only doing it for my ex-boyfriend but for myself," she tells the Mail. "I am a psychologically weak person. I want to do something to challenge myself and build a strong personality through it."

 

Is there, perhaps, a tinge of irony here that she's going about this psychological overhaul by becoming someone else? And someone who played The Invisible Woman, at that?

1,327 Views 2 Comments Permalink Alba's Fair in Love and GoreTwitter Facebook Tags: relationships, movie, celebrity, plastic_surgery, jessica_alba
I've never really been a social network supporter.

 

It's all seemed kind of silly to me, really. Just thinking about the idea of MySpace and Facebook took up more time than I wanted to spend. My philosophy has always been pretty straight-forward: Why waste my life reading notes from someone on the other side of the country when I can sit in the same room with my TV and share deep and meaningful moments with a bag of something salty and fattening?

 

However, I just spotted a story that gave me pause. According to a mirror.co.uk article, a woman named Frances had spent her whole life looking for her estranged dad. Then out of the blue, while researching her family tree, a friend discovered that the 51 year-old Frances had a previously unknown teenage half sister. And wouldn't you know it, Frances spotted this newly discovered sibling's name on Facebook and decided to send her a message.

 

"This will be a bit of a shock," Frances wrote. "But I think I'm your sister."

 

The half sis was equally blown away and wrote back: "Do you want to talk to my dad? He's sitting right next to me."

 

After picking up her teeth (I'm not sure she actually dropped them, but wouldn't you?), Frances started chatting with her dad on Facebook and, that weekend, they met each other again after 48 years apart.

 

OK, so maybe this social network stuff can have some purpose. I'm not making any promises, but I might rethink my grumpy old ways.

 

But I'm still holding out for something salty and fattening.

864 Views 0 Comments Permalink A Sweet, Salty Facebook TaleTwitter Facebook Tags: family, father, facebook, social_networking, estrangment
hallelujah.JPGAvatar, as you may have heard, is kind of a big deal. It's now the highest-grossing movie ever internationally, and it'll likely break Titanic's $600 million record for domestic grosses in the next week or so.

 

So, with all that money floating around (so to speak), lots of folks are trying to capitalize on Avatar's success—and that includes the government of China.

 

In an effort to pull in some fresh tourist coin, folks in the Zhangiajie province of China have renamed a picturesque pillar of rock "Avatar Hallelujah Mountain." The striking geological feature, which had previously been called "Southern Sky Column," is reported to have been an inspiration for Avatar's magnificent floating chunks of rock (though, it should be noted, the Chinese version is rooted firmly to the ground).

 

"Pandora is far but Zhangjiajie is near," the province's official website proclaims. According to Reuters, tourists can sign up for a "Magical Tour to Avatar-Pandora."

 

Some may be surprised that China would scrap a perfectly good name simply to capitalize on a successful film. But really, we're all about making a buck these days, and I think it's a trend that might catch on.

 

Perhaps vast swaths of barren New Mexico, where The Book of Eli was filmed, could be renamed "Eli's Post Apocalyptic Plains." Maybe the owners of the Baltimore Ravens could rename the team "The Blind Siders" and slap a picture of Sandra Bullock on the team helmet. Maybe all of London could redub itself "Sherlock Holmesville"—at least until the next big movie to feature the city comes along ("Wolfmanburg?"). The possibilities are endless.

 

Personally, I can't wait to go to Home Depot and buy me a specially marketed, retractable "Extraordinary Measurer."

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The 90-Hour Media Week

Posted by Adam_Holz Jan 26, 2010
teenstv.JPGIf you surf any given news site on any given day, you're likely to find some university or scientist that's published the latest research on this, that or the other.

 

Not all of them are pertinent to what we do here at Plugged In, and not all of them are good. But The Henry J. Kaiser Family Foundation's recent study on how much youth use media was one of the most significant I've seen in a long time.

 

The exhaustive study, titled "Generation M²: Media in the Lives of 8- to 18-Year-Olds," is the second such study that Kaiser has commissioned. Back in 2005, Kaiser's researchers found that the average person in this age range consumed 6 hours and 21 minutes of media a day. And when they added in multitasking—watching TV while surfing the Net, for example—that figure rose to 8 hours and 33 minutes. That's a lot of time.

 

So where are things five years later? The introduction to Kaiser's findings puts it this way: "[In 2005], it seemed that young people's lives were filled to the bursting point with media. Today, however, those levels of use have been shattered."

 

Specifically, the average 8- to 18-year-old now spends 7 hours and 38 minutes a day engaged in media (defined as TV, music, computer/Internet usage, video games, books/magazines/newspapers and movies). Add in multitasking, and the figure rises to a whopping 10 hours and 45 minutes.

 

How much time per week is that, you ask? Try about 77 hours and 15 minutes. Remarkably, that number does not include talking on cell phones or texting. But Kaiser tabulated those numbers, too, so add another 33 minutes for daily cell phone conversations and another 1 hour and 35 minutes for texting. Where does that put our cumulative media-use total? Would you believe about 90 hours a week?!

 

Any way you slice it, kids' exposure to media today is incredibly high, and it's only getting higher as mobile and wireless technology increasingly make it possible to watch or listen to anything, anywhere. And though Kaiser's study focuses on youth, other research suggests that media-usage trends among adults are on the uptick as well.

 

So how much time would you say you spend engaged with these media? How about your kids (if you have them)? On the flip side, what strategies do you employ to discipline your own usage or limit your family's exposure? We'd love to hear from you.

728 Views 7 Comments Permalink The 90-Hour Media Week Twitter Facebook Tags: teens, music, children, media, television, video_games, media_usage, kaiser_family_foundation, cell_phones

Movie Monday: Pick 'Em!

Posted by Paul_Asay Jan 25, 2010
legion2.JPGI never thought I'd say this, but thank goodness for Avatar. Yes, the film proved its box office might yet again, grabbing another $36 million to claim the top spot for the sixth straight week. Yes, I'm sick of starting off every Monday blog with the same thing. Still, Avatar kept the blasphemously bad Legion out of the top slot, and I'm grateful for that. Really, high school shop safety videos are more enjoyable to watch than Legion.

 

But with that in mind, what movie should we talk about today? Legion earned $18.2 million—enough to push it past the still strong The Book of Eli for second place—but anyone who's seen Legion is likely in counseling (trying to expunge the memory, you know). The Tooth Fairy, the latest kiddie fare from Dwayne Johnson, made a respectable $14.5 million to pull itself to fourth place (Pull? Get it?). But once you get past the film's messages of family, perseverance and good oral hygiene, is there anything left to talk about?

 

Extraordinary Measures made just $7 million at the gate for a seventh-place finish—not strong enough to give me an excuse to ramble about how I interviewed Brendan Fraser, and how we chatted for 15 minutes, and how you can read the interview at Plugged In in a few days, and how he invited to me to lunch afterward (OK, I made that last part up. See what Legion has done to my brain?)

 

It'd be great to talk more about To Save A Life, which came in 15th with $1.5 million. But we talked about it quite a bit on Friday, and I'm not sure whether $1.5 million is enough to get really excited over or not. The good news is that the film likely made its money back in one weekend—nothing to sneeze at, for sure. But it's a far cry from the success of Fireproof thus far, and it's probably not enough to make the film industry stand up and take notice. But maybe it'll retain its momentum over the coming weeks: This film deserves to be seen.

 

So let's just make this Monday a frenetic, film free-for-all. What did you see this weekend? And are you glad you did?

942 Views 1 Comments Permalink Movie Monday: Pick 'Em!Twitter Facebook Tags: movie, box_office, avatar, to_save_a_life, legion, tooth_fairy, extraordinary_measures

To Save a Christian Film

Posted by Paul_Asay Jan 22, 2010

SaveBlog.jpgThis January, it looks like the film industry has found religion. (Or, if you're more cynical, you might say it's found that religion can be a nice selling point.)

 

The Book of Eli has made about $43 million in its first week of release. Avatar and The Lovely Bones are also overtly spiritual in their own ways. And I'm going to review Legion later today, a horror film that hooks on to Revelation for "inspiration."

 

Into this mix hops To Save a Life, the story of a teen grappling with the suicide of his one-time best friend. Of all the films I've mentioned, this is the most explicitly Christian of the bunch: Youth pastor Jim Britts wrote it, and the main character gets baptized midway through. But it's more a story of discipleship than conversion. It's about what it really looks like and means to be a Christian, day by day.

 

I had a chance to talk with both Britts and director Brian Baugh (the interview can be found here), and both say they didn't set out to make a "Christian" film, which I think means two things: One, they want this film to reach out to more than just Christians, and two, they want this film to transcend some of the aesthetic baggage that can go along with a "Christian film."

 

Now, there are a whole lotta really eye-rolling secular films out there. But because they're balanced with the likes of, say, Up and Avatar, nobody thinks the whole category is second-rate. With Christian films, there aren't enough of them being made to fully balance the scales. So if you end up seeing three or four that make you squirm, you conclude that they're all like that. Back to Britts and Baugh: If they want you to show their Christian-themed movie to your non-Christian friends, they've gotta make sure it passes the eye-roll test. If you find yourself rolling your eyes every 10 minutes over the dialogue or plot or what-have-you, it's not one you're likely going to enjoy yourself, much less be something you'll be proud to show someone else.

 

To Save a Life passes that test ... or at least it did for me. The film, stocked with professional actors and helmed by a Hollywood veteran, feels sleek and solid, and the story really smacked me between the eyes, both as a father of teens and a former teen myself. It's not quite to the level of Hollywood's best (no blue CGI creatures, no cameos by Tyler Perry), but it's competent and well-made, and if this is the future of Christian filmmaking, well, the future looks bright.

 

Will this movie become Christendom's next Fireproof, in terms of box-office success? Well, it's got a shot. To Save a Life is rolling to 441 screens today--substantial exposure for a Christian film, and maybe it'll be enough to make me want to talk about it again on Monday. We'll see.

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The New Face of New Faces

Posted by Bob_Hoose Jan 21, 2010
heidi.JPGMankind has always gone gaga over beauty. From the voluptuous paintings in Egyptian tombs to the airbrushed magazine covers of Hollywood icons, the beautiful have historically grabbed our attention and invited us to adore them. But today's advanced plastic surgery is playing a pied piper's tune of perfection that's starting to become a little—well, ugly.

 

I mean, I understand the allure. Wouldn't we all be tempted to lose a few wrinkles and look less like that before model for an ex-lax ad. But things are getting ridiculous. Take MTV's The Hills star Heidi Montag, for example. Now, here's a young girl who became famous as a teen for pretty much nothing more than being a sun-kissed California beauty—as you can see from the far-left pic from the Jan. 25 edition of People.

 

Well, this 23-year-old recently went in for a major plastic surgery overhaul that included:

• Mini brow lift

• Botox shots

• Nose job

• Fat injections in lips

• Chin reduction

• Neck liposuction

• Ears pinned back

• Breast augmentation (Her second)

• Liposuction buttock augmentation

 

And yes, the girl to the right of that young Heidi Montag is the "new and improved" celebrity.

 

"No one is ever perfect," Montag told People. "But I am obsessed with plastic surgery and with maintaining my looks."

 

We can, and usually do, point a finger of blame at Hollywood, but in reality it's not solely the entertainment industry's fault. (Hollywood's elite just happen to be the ones with enough money to have full body slice and dice fests and then unveil the results on E!.) They may inspire the masses with their prefab pulchritude, but it's we the people who are sporting a changing mindset in this area. And sadly, our youngest are the ones to be swayed the most.

 

According to Britain's goodsurgeonguide.co.uk, 41% of girls ages 13-16 want some sort of cosmetic surgery. The American Society of Plastic surgeons reported that in 2008 over 228,000 13- to 18-year-olds went under the knife for surgical beautification. And the results can be deadly. Not long ago, a story came out about a high school cheerleader whose life was cut short on the operating table during a breast augmentation.

 

Now, I'm not trying to scream scary warnings of young people dying during plastic surgery (even though Ms. Montag spoke of a near-death scare during her post-surgery recovery). What I am saying is that there's definitely something—be it our perspective on life and happiness or our mental and emotional health—that's being hurt with this new craving for an impossibly elusive perfection.

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Get Rich Tweet Scheme

Posted by Paul_Asay Jan 20, 2010
soulja boy.JPGClearly, I'm doing this writing thing all wrong.

 

I write roughly 6 gazillion words a day, most of which are immediately cut (and sometimes burned) by my editor. Those which remain could still lay siege to a mid-sized fortress (if they somehow attained the muscular structure and will to do so), and yet one of my novel-length film reviews still doesn't earn anything near what Soulja Boy earns when he tweets one solitary character.

 

It's true. Soulja Boy, who once tried to rule the music world by tellin' everyone to listen to his Tell'em CD, earns $10,000 and up for promoting various products on Twitter. That's $10,000 per tweet, mind you, which means if Mr. Boy was feeling particularly verbose and used his entire 140-character allotment praising the virtues of, say, Snapple, he'd earn $71.43 per letter. (And in his world, spaces are letters, too.) At those rates, this blog post would already be worth, oh, $62,787.

 

And now it's worth $64,716.

 

If I was getting paid Soulja Boy rates, I'd be able to retire this afternoon.

 

He's not the only guy who receives beaucoup bucks. Dr. Drew Pinsky, the guy from VH1's Celebrity Rehab, gets $10,000 and up for his own promo tweets (which mainly trumpet the wonderfulness of Gogo's in-flight Wi-Fi service), and Samantha Ronson (who, oddly enough, has five times more Twitter followers than former girlfriend Lindsay Lohan), gets between $7K-$10K.

 

Here's what's really interesting: Of the folks making big bucks on Twitter, according to ABC, most of them are mainly famous for being famous. Two Kardashian sisters make $5,000-10,000 tweeting, as does their mother, Kris Jenner. Celebrities at large Audrina Patridge and Kendra Wilkinson tweet for cash, too. Even Fake Robert Pattinson—yes, that's FAKE Robert Pattinson, who became famous by impersonating a real celebrity on Twitter—makes as much as $5,000 per promotional tweet.

 

So as soon as I become the first Christian entertainment pundit to score an invite from Oprah and land on the cover of US Weekly, I'm going to apply for my very own Twitter account. Corporations interested in using the soon-to-be-famous me as a pitchman can begin sending their five-figure offers, starting now.

 

Oh, I just love Snapple, by the way.

559 Views 0 Comments Permalink Get Rich Tweet SchemeTwitter Facebook Tags: money, internet, twitter, culture, celebrity, tweeting, soulja_boy
facebook church.JPGSometimes I enjoy Facebook. I'll admit it.

 

Social networking can enhance our regular face-to-face friendships and provide a way to stay in contact with friends who live overseas or out of state.

 

Facebook's fun because friendship is fun—and research even shows we're healthiest and most fulfilled when we feel connected to others.

 

Still, I'd be lying if I said I didn't also wonder about Facebook's potential … hitches.

 

In the brave new virtual world of clever status updates, wall posts and the chain-letter phenomenon "25 Things About Me," some wonder whether we are really fostering a community, or merely garnering an audience. And in this age when the very definition of friendship is blurred by the Internet (Is a high school classmate I barely knew 20 years ago really my friend?), community looks much different than it did even five years ago.

 

Jesse Rice has a few thoughts on all of this. In his book The Church of Facebook, Rice presents the pros of our social networking age, but also discusses how virtual friendships look almost exactly like physical friendships—with significant and potentially menacing differences. For one, deep friendship develops with shared face-to-face moments and enough privacy to discuss serious issues. The very public world of Facebook can be an environment of grandstanding and profile management. He goes on to say:

 

Relationships require, among other things, time. As the number of our relationships grows, the less time we have for each one. As a result our communication events (i.e., the ways in which we relate to one another) must necessarily become more superficial. After all, we simply don't have time to keep up with each one of our Facebook friends via long e-mails or a shared meals or extended private face-to-face conversations. Instead we have just enough time for a quick wall posting, a shared video link, or a one-sentence update.

 

But what do you think? Is Facebook an ego boost, a healthy outlet to laugh at friends' goings-on, or a "place" to foster actual real-life groups of friends who will love and hold one another accountable? Or, in this complex virtual age, is it all of the above? And how has it changed the way we view community?

929 Views 0 Comments Permalink Facebook: 'Like' or 'Unlike' Community? Twitter Facebook Tags: community, communication, friendship, facebook, friends, social_networking
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